The work is a meditation on color and form. The drawings and paintings emerge from a gradual yet progressive layering that leads to a complex network of shifting shapes and colors. The shapes and lines create my own vocabulary of abstract forms. They are resonances with inner emotional states, elements of feeling or sub-conscious thought combined with conscious thought about architecture and geometric structure. I often begin with a background layer of washes and then work with elements of line and form. The color may become muted and minimal, admixing into greys and neutrals or it may become vibrant and intense. There are parallels in musical composition, as looking at the work is a dynamic interaction and the eye moves around the piece element to element, as musical note to musical note. The result is a play of tones, chords, dissonances and harmonies.
After a fellowship at the Yale/Norfolk Summer School of Music and Art, Elizabeth went on to receive a BA with First Class Honors from Edinburgh College of Art in Scotland and an MFA in Painting from Yale University School of Art. She has been awarded several grants and fellowships, including two Individual Artist Grants from the Connecticut Commission on the Arts. Elizabeth shows her work nationally and internationally, most notably at The Drawing Center, MASS MoCA, The National Academy and School of Fine Arts, The Cummings Arts Center at Connecticut College, The Hecksher Museum and the Widener Gallery at Trinity College.